__. = no author found.
________. = same author as preceeding.
* Schneemann as author or exclusive subject


Alliez, Eric & Elisabeth von Samsonow (Hg.).  TransArt IV - Biographien des organlosen Korpers.  2003 Turia and Kant, Wien, Austria.  Pp. 183-201.  Illus. "More Wrong Things" (2000) pp. 184-85; "Vulva's Morphia" (1995) pp. 186-87; "Mortal Coils" (1994-95) pp. 188-89; "Hand/Heart for Ana Mendieta" (1986) pp. 190-91; "Infinity Kisses" (1981-87) pp. 192-93; "Unexpectedly Research" (1992) pp. 194; "Impressings" (1987-95) pp. 195; "Fuses" (1965) pp. 196.

Hendricks, Geoffrey ed.  Critical Mass - Happenings, Fluxus, Performance,Intermedia and Rutgers University 1958-1972 Exhibition Catalog.  2003 Rutgers University Press, New Brunswick, NJ.  Pp. ix, 13, 97-69, 82, 84, 89-94,96, 124, 151n5, 170, 205.  Illus. "Up To And Including Her Limits" (1973) pp. 89; "Noise Bodies" (1965) pp. 90; "Up To And Including Her Limits" (1975) pp. 92.

*Kubitza, Anette.  Fluxus, Flirt, Feminismus? - Carolee Schneemanns Korperkunst und die Avantgarde.  2003 Reimer, Berlin.

Pace, Lind & Jan Jarboe Russell. Dreaming Red - Creating ArtPace. ArtPace, San Antonio, 2003. Pp. 16, 25, 102-3, 184-89. Illus. pp. 103, 184-87, 189, 272, "Vesper's Pool" (1999).

Rexler, Lyle. "Using Art to Start A Global Conversation". The New York Times Newspaper. February 23, 2003. Pp. 51.


__. "Creative Responses and Cautious Retractions". Art on Paper. Jan-Feb. Vol. 6, No. 3. pp.25.

__. El Cultural – Photo Espana Issue. June 12-18, 2002. pp. 39. Illus. pp. 39.

__. Exit 8 - Censurados/Censored. pp. 102-103. Illus. "Interior Scroll" (1975), pp.103.

__. FLUXUS Y FLUXFILMS 1962-2002. Museo National Centro de Arte Reina Sofia Exhibit Book. pp. 209-10. Illus. "Interior Scroll" (1975). pp. 196-97, "Meat Joy" (1964) pp. 198-99, Riena Sofia lecture pp. 333-34.

__. PHE 02 – FEMININOS. Photo Espana 2002 Exhibit Book. Ayuntamiento de Madrid. pp. 162-63. Illus. pp. 74-75.

__. PHE 02 – FEMININOS. Photo Espana 2002 Catalogue. La Fabrica. pp. 124-26, 229. Illus. pp. 125, 229.

__. UNDERVEJS - 222 tegninger fra Picasso til Yoko Ono. "After the Beginning and Before the End" Exhibit Catalogue. Louisiana Museum of Modern Art. Illus. pp. 122.

Baker, Steve. "What does becoming-animal look like?", in Representing Animals, Nigel Rothfels, Ed. Bloomington: Indiana University Press, 2002), pp. 67-98.

Balios, Knizni Klub. Dejiny Umeni/12. Euromedia Group, Prague 2002. Pp. 64. Illus. pp. 64, "Eye Body - 36 Transformative Actions", 1963.

Blanich, Tania, Ed. Commitment - The Rockefeller Foundation Media Arts Fellowships, 1988-2002. Rockefeller Foundation, NY. pp.69, 139. Illus. pp. 69, 139.

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Centres Pompidou, Les Annes Pop. Exhibition book. Centres Pompidou, Paris. pp.64, 78.

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"Tate Magazine". "Animal rights and wrongs" by Steve Baker. Autumn, 2001. pp. 42-47. Illus. pp. 45 "Up To And Including Her Limits (with Kitch)" (1974).

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Cameron, Dan.  Art News. December 2000.  “Underrated/Overrated”. More Than Meat Joy, 1964.

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Here Kitty Kitty (2000 calendar).  Nexus Contemporary Art Center, Atlanta. Illus; July, “Infinity Kisses”, 1981-87.

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* Eyler, Carolyn. Carolee Schneemann: Drawing Performance. University of Southern Maine. Illus.

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Schneemann, Carolee. "Dream/Space/Object..... Death/Mother/Bird". Art Journal. Spring.
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Strauss, David Levi. Between Dog & Wolf: Essays on Art and Politics. "Love Rides Aristotle Through the Audience: Body, Image & Idea in the work of Carolee Schneemann". Autonomedia, Brooklyn, NY. pp.72-89.

______________. Texte Zur Kunst. March Œ. 9:33. pp.60-61. Illus: "Up To And Including Her Limits". (on Pollock).

______________. NY Arts. Vol. 4. No. 5. cover.

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Clay, Stephen and Phillips, Rodney. "Parts Of A Body House Book" A Secret Location on the Lower East Side, Adventures in Writing, 1960 - 1980.New York Public Library, 1998. pp.144 -145.

Dewey, Fred. "Letter from Freedom X: Carolee Schneemann and Artaud". Most Art Sucks: Five Years of Coagula. Smart Art Press, Santa Monica, CA, 1998. pp. 114-119. Illus.

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Jones, Ronald. "Carolee Schneemann - The New Museum, New York". Frieze. no. 34. May. p.88. Illus: "Infinity Kisses", "Up To And Including Her Limits".

Kimball, Roger. The New Criterion. "The Re peal of Reticence". January. p. 20-25.

Kirker/ Zurbrugg, ed. Francesco Conz: Intermedia and The Avant-Garde. Catalogue for exhibition at Queensland Art Gallery. Queensland Art Gallery, Australia. pp. 4, 8, 55, 78.
Illus: "Ice Naked Skating".

Konkrete, Poesie, Konzept, Kunst. Kunstverein, Rosenheim, 1997. pp. 77.

Kramer, Mark. "The Medium Is A Mess". Spy. Nov. pp. 38, 40. Illus: "Interior Scroll".

Kulterman, Udo, ed. Modern Masterpieces: The Best of Art, Architecture, Photography and Design since 1945. St. James Press. p. 128-131. Illus: "Meat Joy".

Kubitza, Anette. "Carolee Schneemann". Ruhm-Werke von Kunstlerinnen in nordrhein-westfalischen Museen. Frauen Museum, Bonn, 1997. pp. 172-3. Illus: Collage.

Lamontagne, Valerie. "Heroine Addiction". MIX. Spring 19
97. Vol. 22.4. page 53. Illus: "Interior Scroll".

Light Cone catalogue 1997. Collectif Jeune Cinema, Paris. p.148. 151. Illus. "Meat Joy".

Lovejoy, Margot. Postmodern Currents: Art and Artists in the Age of Electronic Media. 2nd Edition; Prentice Hall, 1997. pp. 81-83. Illus: "Cycladic Imprints".

MacDonald, Scott. "Cinema 16: Documents Toward a History of the Film Society". Wide Angle: A Quarterly Journal of Film History, Theory, Criticism and Practice. Vol. 19. No. 2 (April). p. 79.

MacDonald, Scott. "Cinema 16: Documents Toward a History of the Film Society". Wide Angle: A Quarterly Journal of Film History, Theory, Criticism and Practice. Vol. 19. No. 1. (January). p. 12.

Murphy, Jay. "Assimilating The Unassimible: Carolee Schneemann in Relation to Antonin Artaud". / Parkett. No. 50/51, 1997. pp. 224-231 (German 232-239). Illus: "Meat Joy", "Vulva’s Morphia", "Water Light/ Water Needle", "Cycladic Imprints", "Mortal Coils", "Up To And Including Her Limits", "Eye Body", "Jim’s Lungs".

Odita, O. Donald. Interview extract and photograph in "The Body Issue". Rude. p. 17. Interview published in its entirety at

O'Dell, Kathy. "Fluxus Feminus". The Drama Review. p. 43-59. 41,1. Spring 1997. Illus: "Guerilla Gut Room", "Genitals Play Room" drawings.

O’Dell, Kathy. "Displacing the Haptic: Performance Art, the Photographic Document, and the 1970s". Letters From Europe: Performance Research. Vol. 2, No. 1, Spring.
Allsopp, Gough, MacDonald, ed. p. 76. Illus: "Interior Scroll".

Performance Festival Odense, 1997. For Eyes and Ears. Odense, Denmark !, 1997. cover and p. 29. Illus: "Enter Vulva".

Preston, Janet. "New York Letter Bomb". Coagula. p. 30.

Princenthal, Nancy. "The Arrogance of Pleasure". Art in America. October. p. 106-109. Illus: "Up To And Including Her Limits", "Mortal Coils", "Native Beauties", "Hand/ Heart for Ana Mendieta".

Rugoff, Ralph. Scene of the Crime. UCLA/ Armand Hammer Museum, Los Angeles. p.64. Illus: "Up To And Including Her Limits".

Schneider, Rebecca. The Explicit Body in Performance. Routledge, New York/ London, 1997. p. 2, 7, 29, 30-8, 40, 46-7, 48-50, 60, 66, 72-9, 81, 83, 86, 99, 109, 117, 119, 128, 131-2, 149, 178-9, 181-3, 191, 195, 205, 227, 231-2. Illus: "Eye/Body", "Fuses", "Infinity Kisses", "Interior Scroll", "Site".

Schneemann, Carolee. More Than Meat Joy. McPherson & Co., Kingston, NY. 19 ;79, 1997.

____________. "Carolee Schneemann". aRUDE. no. 8. p. 17. Illus.

____________. Vulva’s Morphia. Limited Edition Artist Book. Edition of 35. Granary Books, NYC. 1997.

Schwabsky, Barry. "Carolee Schneemann - New Museum of Contemporary Art" (review of C.S. retrospective). art/text. pp. 80-81. Illus: "Up To And Including Her Limits".

Solomon, Deborah. Utopia Parkway: The Life and Work of Joseph Cornell. Farrar, Strauss, Giroux, New York, 1997. pp. 243-44, 273, 290-92, 300.

Stavru, Bill. "Pandora Speaks: An Interview with Carolee Schneemann ‘59". The Bardian. Summer 1997. cover, p. 1-4, 17. Illus: "Vulva Speaks", "Mortal Coils".

Stiles; Selz, ed. Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings. University of California Press, Berkeley. pp. 682-83, 688, 714-18, 809.

Thiele, Carmela. "Der Korper wird Material. Stadt Revue, Bonn. p. 136. March. Illus: "Interior Scroll".

Weinberg, Abbie. "Carolee Schneemann - The New Museum of Contemporary Art, NYC/ Galerie Samuel Lallouz, Montreal" (exhibition reviews). Parachute. 86. p. 48. Illus: "Up To And Including Her Limits".

Wirth, Heidrun. "Holztafeln verbreiten Duftwolken". Bonner Kultur, Bonn/ Koln. 12 March.


__. Art & Antiques. "The 100 Top Collectors in America". p.89. March 1996. "Interior Scroll".

__. The Poetry Project Newsletter. "What You Are Reading....". Issue #161. April/ May 1996. p. 7.

__. Elga Wimmer Gallery - Schneemann solo exhibition listing in "Galleries - Downtown". The New Yorker. August 5.

Anderson, Patricia. All of Us. Bantam Doubleday Dell, Spring Ú1996.

Bloch/ Celender. Mortal Remains. (400 artist comment on their mortal remains). An exhibition text: OK Harris Gallery, NYC/ Intermedia Arts Minnesota, Minneapolis. January 1996.

Body As Membrane. Exhibition catalogue from Kunsthallen Brandts Klaedefabrik, Denmark. Introduction by Valie Export and Kirsten Justesen. pp 78-83. Illus.

Brougher, Kerry. Hall of Mirrors: Art and Film Since 1945. Catalog for the exhibition. Museum of Contemporary Art, LA, 1996.

Cameron, Stiles, Levi-Strauss. Carolee Schneemann: Up To And Including Her Limits. Catalogue for New Museum retrospective. New Museum of Contemporary Art, 1996.

Camphausen, Rufus C. The Yoni: Sacred Symbol of Female Creative Power. Inner Traditions, Rochester, VT, 1996. p. 83,84. Illus Á: "Eye Body".

Castle, Frederick Ted. "Carolee Schneemann: Elga Wimmer and Associates". Review. Vol. 1, Number 3. June 1996. p. 13, 14.

Centre Georges Pompidou. Vertigo: Esthetique et Histoire du Cinema. Film program in conjunction with feminin/ masculin exhibition at Centre Georges Pompidou. Editions Jean Michel Place, Paris. 1996.

Cerrito, Joann, ed. Contemporary Artists. 4th Edition. St. James Press, Detroit. pp. 1043-1045.

Crow, Thomas. The Rise of the Sixties: American and European Art in the Era of Dissent. pp. 124-127, 138, 139. Harry Abrams, Inc., 1996. Illus: "Meat Joy", "Site".

Crowder, Joan. "The end". Santa Barbara News-Press. 12 April. p. 23. Review of exhibition "Terminals: Considering the End" at UCSB - C.S.'s Mortal Coils.

Drain, Richard. ed. Twentieth Century Theatre: A Sourcebook. "Carolee Schneemann - Art In The Dark: A Letter to Artforum (1983)". pp.136-138, 233, 363.

Elkjaer, Bo. "Kunstige Kvinder". Ekstra Bladet. 20 January. Section 2, side 7. Review "Body As Membrane" exhibition, Denmark. Illus: "Interior Scroll".

Ferguson, Russell. Hall of Mirrors: Art and Film Since 1945. The Museum of Contemporary Art, Los Angeles/ The Monacelli Press, NY. 1996.

Frueh, Joanna. Erotic Faculties. University of California Press, Berkeley, Los Angeles, London, 1996. pp. 48-49, 90, 102-7, 143, 148-9, 163.

Glueck, Grace. "Of a Woman's Body as Both Subject and Object". The New York Times.
6 December. p. C29.

Grant, Annette. "Praising Famous Men, And an Empire or Two". The New York Times.
29 December.

Grue, Birgitte. "Nar kvinder gar i kodet pa sig selv". BT. 4 February. p. 30. Review of "Body as Membrane" exhibition, Denmark.

Hackman, William. "Yes, But What Is It?" The J. Paul Getty Trust Bulletin. Vol. 9, #3. Winter 1996. pp. 2-3. Illus. "EyeBody".

Heartney, Eleanor. "Carolee Schneemann at Elga Wimmer". Art in America. October. p. 113. Illus: "Known/ Unknown: Plague Column".

James, David. "Hall of Mirrors: Art and Film Since 1945". Art + Text. Review. no. 54. May.

Jones, Amelia. "Interpreting Feminist Bodies: The Unframeability of Desire" in The Rhetoric of the Frame: Essays Towards a Critical Theory of the Frame in Art. Cambridge University Press, 1996.

Kaye, Nick. Art Into Theatre: Performance Interviews and Documents. Harwood Academic Publishers, Netherlands, 1996. pp. 8, 25-39. Illus: Scan, Lateral Splay.

Klocker, Hubert. Herausgeber Kunstraum Wien: Projekte 1994 bis 1996. Triton, 1996. pp. 20-21, 48-51, 87. Illus: "Up To and Including Her Limits", "Mortal Coils".

Larson, Kay. "Women's Work (or Is It Art?) Is Never Done". New York Times. Sunday, January 7, 1996. p 35.

McClure, Lissa. "Carolee Schneemann: Elga Wimmer and Associates". Review. Vol. 1, Number 3. June. p. 27

Misfeldt, Mai. "Kroppens sprog". Berlingske Tidende. 3 February. Review of exhibition "Body As Membrane", Denmark. Illus: pre-performance action for "Up To And Including Her Limits".

Morgan, Robert C. Art Into Ideas: Essays on Conceptual Art. Cambridge University Press, 1996. p. 199-200. Illus: "Ask The Goddess".

New Museum of Contemporary Art. "Carolee Schneemann: Up To And Including Her Limits". C Goagula. 24. Mid-Autumn.

Preston, Janet. Coagula Art Journal. no. 20. "New York Letter Bomb". p. 14.

Rugoff, Ralph, K. Stiles, G. Pietrantonio. Paul McCarthy. Phaidon Publishers, London, 1996. p. 45. Illus: "Eye Body".

Sandler, Irving. Art of The Postmodern Era: From the Late 1960s to the Early 1990s. Harper Collins, 1996. p. 130-132. Illus: "Eye Body"

Schneemann, Carolee. Interviewed by Rebecca Schneider for The Explicit Body. Routlege and Kegan Paul. (On CS, Sprinkle, Finley, Bernhardt, McCauley, Spider Women).

___________. "Genius Envy". Art Forum. Nov. p. 10.

___________. "Vulva's School". M/E/A/N/I/N/G 19/20. May 1996. p. 98. Illus: "Vulva's School".

Schwabsky, Barry. "The Past Faces Off Against the Present". New York Times. Sunday, June 30.

Stichting World Wide Video Centre. 14 de World Wide Video Festival - Catalogue. "Miroslaw Rogala & Carolee Schneemann - Instructions Per Second: Chapter One". Stichting World Wide Video Centre, Den Haag, The Netherlands. 1996. p. 136-137.

Stiles, Kristine, Peter Selz, ed. Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings. University of California Press, Berkeley, Los Angeles, London, 1996. pp. 682-83, 688, 714-18, 809.

Straayer, Chris. Deviant Eyes, Deviant Bodies: Sexual Re-orientation in Film and Video. Columbia University Press, NYC, 1996. pp. 85, 98, 235. Illus.: "Interior Scroll".

Troelsen, Anders. "Nar kunsten gar til korporligheder" . 23 January. Illus: "Interior Scroll".

Ultimate Akademie. "Carolee Schneemann". catalogue. Ulimate Akademie, Koln, 1996. p. 257.

Vtape Video Reference Guide, 199&Mac220;6. Toronto, Ontario, 1996. p. 173.

Weintraub, Linda; Arthur Danto and Thomas McEvilley. Art on the Ege and Over: Searching for Art's meaning in Contemporary Society 1970s-1990s. Art Insights, Litchfield, CT. pp. 165-170

Zuckerman, Heidi. (nude) A Comparison of the Body of the Artist in Video from the 1970s and 1990s. Essay for the exhibition at Trans Hudson Gallery, 1996.


Bernadac, Marie-Laure; Storrs, Robert (and others). Feminin/ Masculin Le Sexe de L'Art. Catalog for the exhibition. Editions du Centre Pompidou, Paris, 1995.

Bociurkiw, Marusya. "Carolee Schneemann: The Western Front, Pacific Cinemateque, Vancouver" . Parachute. 79. July/Aug/Sept. pp. 53-54. Illus.

Brignone, Patricia. "Hors Limite - L'art et L&Mac254;a Vie 1952-1994" ("Out of Bounds - Art and Life 1952-1994") art press, Paris. 198: January. pp 18-19.

Ferrara, Mills, Scales. "Carolee Schneemann: Nobody Doesn't Like Carolee". Art X. Winter 1995. Review of SUNY New Paltz Visiting Artists Lecture. pp. 11-12. Illus: "Cycladic Imprints".

Garber, Frederick. Repositionings. Pennsylvania State University Press, 1995. pp. 5, 6, 9, 15, 72, 85, 88-128, 135, 140, 146, 148, 174, 188, 193, 206, 220. Illus.: More Than Meat Joy cover.

Grootenboer, Doris. "Vrolijke boel van seks en kunst". Algemeen Dagblad. 18 November. (article on Pompidou's Femininmasculin: Le Sexe de l'art exhibition.)

Klotz, Heinrich/ Schmid, Christof. (Foreword). Internationaler Videokunstpreis 1995 catalog. pp. 106-7. Illus. "Instructions Per -Second" with Mirek Rogala.

Lippard, Lucy. The Pink Glass Swan: Selected Feminist Essays on Art. The New Press, NY, 1995. pp. 15, 100, 103-104, 241. Illus: "Interior Scroll".

Man, Jos de. "Tobben over seks". HP/ DE TIJD. 17 November. p. 73. (article on Pompidou's Femininmasculin: Le Sexe de l'art exhibition.)

Martin, H.; Lucato, G. ed. Fluxus: Una Storia Veneto. Museo Biblioteca Archivio, Bassano del Grappa, Italia, 1995.

Phillips, Lisa. Beat Culture and The New America: 1950-1965. Whitney Museum of American Art, 1995. pp. 86, 257, 275. Illus: "Quarry Transposed- Portrait of N.".

Pultz, John. Photography and The Body. Calmann and King, Ltd, London, 1995. pp. 128, 129, 131, 140. Illus: "Interior Scroll".

Rathus, Nevid, Fichner-Rathus. Human Sexuality In A World of Diversity. Allyn & Bacon, Boston f. 1993, 1995. (Illus. from "Unexpectedly Research".)

Rinder, Larry, ed. In A Different Light. Book for the exhibtion. City Lights Books, 1995. Illus: "Saw Over Want".

Sanford, Mariellen R. Happenings and Other Acts. Routledge, 1995. Front and back cover and pp.246-262. Illus.

Schneemann, Carolee. "Anti-Demeter". Progress Report 3. London. pp. 16-17.

________________. ".....Enter Vulva". October: Feminist Art and Critical Practice. 1995.

____________. "Mortal Coils". Long News In The Short Century. 5. Illus: pp.12-13 and front and back covers.

____________. 13th Moon. Text and illustration from "Fresh Blood: A Dream Morphology". Front cover and pp.144-147. Illus.

Smith, Roberta. "Venice: Men Look, Women Display". New York Times. Sunday, July 9, 1995.

Taylor, Brandon. Avant-Garde and After: Rethinking Art Now. Harry Abrams, NY, 1995. pp. 26-27. Illus: "Interior Scroll".

Vetrocq, Marcia. Art In America. "Report From Paris: Mixed Messages"/ "'Beyond Limits' at the Pompidou Center". May. pp. 41-44.

Vigier, Rachel. Gestures of Genius: Women Dance and the Body. Mercury.

World Bank. Women and Art: Empowering Narratives. Transcript from World Bank Program on Gender. November 14, 1995 with Jenny Marketou, M.M. Serra, Berta Sichel. pp. 3, 16-19.