__. = no author found.
________. = same author as preceeding.
* Schneemann as author or exclusive subjec


___. "New York News". Art Monthly. June 1994. "Mortal Coils" review. Illus.

___. Why I Got Into Art (Vaseline Muses). Review of book. Umbrella. Vol. 17, no. 2/ June. p.53.

Allara, Pamela. "'Mater' Of Fact: Alice Neel's Pregnant Nudes". American Art. Spring 1994. p. 17. Illus. "Meat Joy".

Ariadne, Patricia. Women Dreaming-Into Art. Sigo Press, 1994. Illus.

Bode, Peter M. "Grenzganger des Korpers". AZ. 20 July, 1994. (review of Kunstverein exhibition "Oh Boy It's A Girl", Munich) Illus: "Eye Bo mdy".

Bongard, Nicola. "Fuses, 1965, Carolee Schneemann". Oh Boy It's A Girl: Feminismen in der Kunst. (in book for the exhibition "Oh Boy, It's A Girl") Kunsterverein, Munich, 1994. pp.25-33. Illus: "Fuses", "Interior Scroll", "Eye Body".

Breeretta, Genevieva. "L'art un Corps". Le Monde. Paris 21 November 1994.

Brentano, Robin. "Outside the Frame: Perfomance, Art, and Life" in book for the exhibtion Outside The Frame: Performance and the Object - A Survey History of Performance Art in the USA Since 1950. Cleveland Center for Contemporary Art, 1994. pp. 44-45, 59, 74, 157, 161, 185, 229. Illus: "Venus Vectors", "Meat Joy".

Broude, Mary D. & Garrard, Norma, ed. The Power of Feminist Art: The American Movement of the 1970's, History and Impact. Harry Abrams, Inc. 1994. pp. 22, 142, 161-163, 165, 190, 192, 194, 197, 207. Illus: "Interior Scroll".

Coe, Robert. Pos ft Shock: The Emergence of the American Avant-Garde. W.W. Norton. 1994.

Cottingham, Laura. "How Many 'Bad' Feminists Does It Take To Change A Lightbulb?".
Lightbulb. Summer 1994. Illus.

Delanoe, Nelcya. Le Raspail Vert: L'American Center a Paris 1934-1994 - Une Histoire des Avant-Gardes Franco-Americaines. Editions Seghers, Paris, 1994. pp. 124-125. Illus: "Meat Joy".

Ewing, Bill. The Body: Photographs of The Human Form. Thames and Hudson/ Chronicle. Fall 1994. (Illus. with statement by C.S.)

Frueh, Joanna/ Langer, Cassandra/ Raven, Arlene -- ed. New Feminist Criticism. Harper Collins. 1994. Illus.

_____________. "On Body". Art Journal. 1994. ed. Mary Garrard.

_____________. "On Body". Frontiers: A Journal of Women Studies. 1994. ("Cycladic Imprints" Illus.)

Gates, Katherine, ed. Heck: Editions 1994. Catalog 1994. Includes "Nine Is A Four Letter Word" (silkscreen edition) and "Rocks". Illus.

Hapgood, Susan. Neo-Dada: Redefining Art 1958-1962. American Federation of Arts. 1994. color. Illus.

Hayden-Guest, Anthony. True Colors - The Real Life of The Art World. Grove & Atlantic. Fall. Illus.

Hors Limites. Catalog for exhibition. Editions du Centre Pompidou, Paris. 1994. Illus. with statement by C.S.

Jaeckel, Claudia. "Die Grezen losen sich auf". Suddeutsche Zeitung. 27 July 1994. (review of Kunstverein exhibition "Oh Boy It's A Girl", Munich) Illus: "Eye Body".

Jones, Leslie C. "Transgressive Femininity: Art and Gender in the Sexties and Seventies". in book for the exhibition Abject Art: Repulsion and Desire in American Art. Whitney Museum of American Art, 1993. pp. 33-57. Illus: "Meat Joy".

Kadmon. Aorta. Issue XVI, Angizia. C.S.'s "Eye Body" Illus.

Katz, Vincent. "Carolee Schneemann at Penine H Öart". Art In America. No. 11/ November, 1994. pp. 127-28. Illus: "Mortal Coils"

Kaye, Nick. Art Into Theatre. Gordon and Breach Publishers. 1994. Illus. and scores by C.S.

Krumpl, Doris. "Massnahmen gegen die Tugend des Schweigens". Der Standard. Sat/Sun. 17/18, September, 1994.

Kuspit, Donald. "Act Out, Turn Off". Art Forum. 32:8 (April 1984). Illus: "Interior Scroll".

Larson, Kay. "Mind Field". New York Magazine. February 21, 1994. pp 55-6.

Lavin, Maud. "What's So Bad About 'Bad Girl' Art?". Ms. vol IV, no. 5. March/April 1994. pp. 80-83. Illus: "Body Collage".

Lebel, Jean-Jacques and Arnaud Labelle-Rojoux. Poesie Directe: Happenings Interventions. Opus International Edition, Paris. 1994.

Levi Strauss, David. "The Final Stages of the End! Enter the Great Tribulation!" Camera Work. 1994. pp. 22-23.

_____________. "Therapeutic Art and Images in Context". Art Issues. September/Oct rober 1994. pp. 29-33.

Lucie-Smith, Edward. Race, Sex & Gender in Contemporary Art. Abrams, London. 1994. p. 147. Illus.

Moore, Barbara. American Art: Painting and Sculpture 1913-1993 in the 20th Century. "New York Intermedia: Happenings and Fluxus in the 1960's". 1994.

Morgan, Robert. Conceptual Art: An American Perspective. McFarland & Co, 1994. Illus.

Munsterberg, Hugo. "The Critic at Seventy-Five". Art Journal. Vol. 53. No. 1. Spring 1994. p. 65.

Preston, Janet. "What's Wrong With Janine Antoni?". Coagula. Issue #15. November 1994.

Rickels, Laurence A. "Act Out Turn On". Artforum. pp. 70-73,127. Illus: "Meat Joy", "Interior Scroll".

Riley, Robert. The Making of A Modern Museum: San Francisco Museum of Modern Art. SFMOMA, 1994. Text and illustration of C.S.'s "Infinity Kisses". pp. 120-121. Illus.

Schaffner, Ingrid. "Carolee Schneemann: Penine-Hart Gallery" S. Review of C.S.'s "Mortal Coils". Artforum. Vol. XXXIII, no. 1/ Sept. pp. 108-109. Illus.

Schmidt, Barbara U. "Jenseits polarer Differenzen: Die Ausstellung 'Oh Boy It's A Girl' im Kunstverein Munchen". Frauen Kunst Wissenschaft. Herbst, 1994.

Schmidt, Barbara U. "Oh Boy It's A Girl: When Gender Attitudes Attack the Norm" Kritik; Zeitgenossiche Kunst in Munchen. pp. 24-32.

Saxenhuber, Hedwig & Wege, Astrid. "Oh Boy It's A Girl". Oh Boy It's A Girl: Feminismen in der Kunst. (in book for the exhibition "Oh Boy, It's A Girl") Kunsterverein, Munich, 1994. pp.8-12. Illus: "Up To And Including Her Limits".

Schneemann, Carolee. "Ages of the Avant-Garde". Performance Arts Journal. 46. Vol. XVI: No. 1. January 1994. pp. 18-21.

______________. "Anti-Demeter". Mother Journeys: Feminists Write About Mothering. Essay by C.S. "The More I Give The gMore You Steal/ The More You Give The More I Need". ed. Reddy, Roth & Sheldon. Spinsters Ink, Minnesota. 1994.

______________. "Christmas Tree In Uteri". Whitewalls: A Journal of Language and Art. (Issue -- A Wretch Like Me) Fall/ Winter. pp. 90-91. Illus.

_______________. "Fresh Blood: A Dream Morphology - The Blood Link". Leonardo Magazine. 27:1 (M.I.T. Press. Winter 1994.) pp. 23-28. Illus: "Venus Vectors", Vector Vocabulary, "Fresh Blood", "Snows".

_______________. "Vulvamorphia". Lusitania. Lusitania Press. ("In Vulvic Space - Vulva Speaks" 1973 to 1993). Illus.

Sigurdsson, Hannes. "Drulladu per i burtu! Og taktu helvitis typpid med per!". Eintak. Rekyjavick. 4 August 1994. ("Invortescrolla" article). pp. 24-8129. Illus.

Solomen, Deborah. Utopia Parkway: The Life of Joseph Cornell. Farrer Strauss. 1994

Steffen, Barbara. "Gender Culture". Kultur. ] 4:2. March/ April 1994. pp. 15.

Sudre, Alain-Alacide. "Hors Limites: L'art et la Vie". Le Magazine: Centre National d'art et de culture Georges Pompidou. pp. 4-8. Illus: "Eye Body" and back cover - " Body Collage".

Suvakovic, Misko. Book review of Robert C. Morgan's Conceptual Art: An American Perspective. In M/E/A/N/I/N/G Journal. #16/ November. pp. 65-68.


___. "Cologne/ NY: The Malevich Legacy". Heirs vs. Museum. AN 92:9. November 1993. pp. 65-72.

___. Dossier Antwerpen. Dossier of artists who exhibited in Antwerp, Belgium 1968-1993.

Anderson-Spivy, Alexandra. "The Return of Aphrodite". The Argonaut Journal. vol. 138, no.4213. Illus. ("Unexpectedly Research"). pp. 21-22.

Armstrong/ Rothfuss. In The Spirit Of Fluxus. Walker Art Center. 1993. (C.S. text)

Biancolli, Amy. "Portrait Of The Artist As An Angry Woman". Albany Times Union. TMarch 1993. Illus.

Birringer, Johannes. "Imprints and Revisions: Carolee Schneemann's Visual Archeology". Performance Art. Journal. June 1993. pp. 31-46. Illus: "Cycladic Imprints", "Double Mops", "War Mop", "Infinity Kisses".

Caws, Mary Ann. Joseph Cornell: Theater of the Mind - Selected Diaries, Letters and Files. Thames and Hudson, 1993. pp. 202-203, 206, 367.

Chin, Daryl. "Those Little White Lies". M\E\A\N\I\N\G Journal. no.13, p.26-27.

Cotter, Holland. "1920/ Exit Art" review, The New York Times. April 16, 1993.

Eiblmayer, Silvia. Die Frau Als Bild: Der Weibliche Korper in der Kunst des Bonn: Reimer, 1993. Illus: "Eye Body", "Untitled (Four Fur Cutting Boards)"

Garber, Frederick. "Presence and its Discontents: Carolee Schneemann and Steve McCaffery, Siting Jouissance". Open Letter. 8:1.

Garber, Frederick. Repositions. Penn State z University Press. (94 Illus.)

Gubar, Susan. "'The Blank Page' and the Issues of Female Creativity". The New Feminist Criticism. Elaine Showalter, ed. ( Virgo Press, London, 1993; 1st ed. 1985).

Gray, John. Action Art, A Bibliography of Artists' Performance from Futurism to Fluxus & Beyond. Greenwood Publishing Group. 1993.

Hess, Elizabeth. "Basic Instincts". Village Voice. June 1, 1993.

Heyward, Carl. "Interview - Carolee Schneemann". Art Papers. vol. 17 no.1, January-Febru ary 1993. Illus. pp. 9-16.

Hunter, Dianne. "Theatres of the Female Body". Theatre Topics. vol.3, no.1 March (Illus.)

Jones, Amelia. "Presence and Calculated Absence". Tema Celeste Contemporary Art Journal. (on The Question of Gender in Art). Winter 1993.

____________ . "The Return of The Feminist Body". M/E/A/N/I/N/G Journal. no. 14. November 1993.

Kandel Susan. "The Binge Purge Syndrome". Art Issu ses. no. 28. May/ June 1993: 19-22. Illus: "Meat Joy"

Kaprow, Allan. Allan Kaprow: Essays On The Blurrings Of Art And Life. ed. Jeff Kelley. London. 1993.

Kostar, Joon. "Angry Women". Woodstock Times. March 1992.

Kubitza, Anette. "Die Macht des Ekels: Zneiner neuen Topographie des Frauenkorpers". Kritische Berichte. 1993.

Levy, Mark. Technicians of Ecstasy: Shamanism and the Modern Artist. pgs. 177-191. (Illus.). Bramble Books. 1993

MacDonald, Scott. Avant-Garde Film: Motion Studies. Cambridge University Press, 1993. pp. 5, 105.

Miller, Lisa. "Naked Agression". Self. Nov. 1993. pp. 144-147, 174. Illus: "Interior Scroll"

Morgan, Robert. C. "Carolee Schneemann's Viet-Flakes (1965)". in book After The Deluge: Essays On Art In The Nineties. Red Bass Publications, 1993. no. 16. pp. 36-40. Illus: "Viet-Flakes".

________________. Action/ Performance and the Photograph. ãBook for the travelling exhibtion. Illus: "Up To and Including Her Limits"

Neiman, Catrina. "Women Pioneers of American Experimental Film: Bute, Arledge, Menken, Deren, Schneemann". 1993. published as: Hutschenreuter, Heidi/ Schurian, Claudia. "Pionierinnen des amerikanishen Experimentalfilms: Bute, Arledge, Menken, Deren, Schneemann". Feministische Streifzuge durch's Punkte-Universum. Medienkunst von Frauen. edition Film Werkstatt. 1993

O'Dell, Kathy. "Fluxus Feminus" from the Symposium "In The Spirit Of Fluxus". Walker Art Center. 1993.

Rathus, Nevid, Fichner-Rathus. Human Sexuality In A World of Diversity. Allyn & Bacon, Boston. 1993. (Illus. from "Unexpectedly Research".)

Schneemann, Carolee. The Argonaut Journal. vol.1, no.2. (Photo-essay "Unexpectedly Research") pp.22-25. Illus: "Unexpectedly Research"

__________________."Integrating Sculpture, Space and Sound". Musicworks: The Journal of Sound Exploration. 56. Fall 1993. pp. 6-13. Illus and cover: "Cycladic Imprints", "Snows".

__________________. "Letter and Answers to Questions On Her Work In Antwerp". Dossier Antwerpen. Buitenlands Kunstenaars in Antwerp 1968-1990. (Antwerp: Parblue, Club Moral, Ruinte Morgnen.)

___________________. "Mother Lexicon". Flux Scan: A Collection of Music and Sound Events. ed Jan van Toorn. Den Bosch, Holland. 1993.

___________________. Sex-Quake: Art After the Apocalypse. Art Genes Portable Museum/Printed Matter/ Water Konig Koln. Summer 1993. Illus: "Dead Lover Reincarnated As Tomcat"/"Infinity Kisses".

_________________."Unexpectedly Research". Lusitania. Vol. I: Abject America. no.4. Lusitania Press. 1993. Illus: "Unexpectedly Research"

Stevens, Mark. "Fluxus Redux". Vanity Fair. Double-page color photograph. pp. 98-99 f. Illus. July, 1993.

Stiles, Kristine/Selz, Peter. Documents of Contemporary Art. University of California Press. Fall 1994. (Carolee Schneemann, "From the Notebooks" and "Woman in the Year 200").

Stiles, Kristine. "Between Water and Stone". Fluxus. Book for the exhibition "In The Spirit of Fluxus." Walker Art Center, 1993. pp. 85, 90, 98.

Straayer, Chris. "The Seduction of Boundaries". Dirty Looks: Women, Pornography, Power. ed. Pamela Church Gibson and Roma Gibson. British Film Institute, London. 1993. pp.156-175. Illus: "Interior Scroll"

Time Out. London. "Absent from Royal Academy - USA". September, 1993.

Wilmeth, Don B./ Miller, Tice L., ed. Cambridge Guide to American Theatre. Cambridge University Press. 1993.


__, Blast Art Benefit Catalog. April 1992. 58. Illus.

__. Mutiny and the Mainstream: Talk That Changed Art, 1975-1990. Midmarch Art ãs Press.

Art Das Kunstmagazin. "Fluxus nict totsukriegen". no.11 November 1992. (Schneemann's performance in Venice 1990). p.4,43. Illus.

Berger, Maurice. How Art Becomes History. Harper Collins, Icon Editions. 1992, p.71, 74. (Viet-Flakes Illus.)

Drucker, Johanna. "Visual Pleasure: A Feminist Perspective." M\E\A\N\I\N\G Journal. 11 (May 1992):9.

Dubin, Steve. Arresting Images. Routledge Press. 1992. Illus.

Feuerstein, Georg. Sacred Sexuality: Loving The Vision of The Erotic Spirit. Pedigree Books, 1992.

Frueh, Joanna. "Fuck Theory". Paper given at meeting of Society for Photographic Education. Washington, D.C., 1992. 8-9.

Gomez, Jule. "Funding the Arts". MS. May-June 1992.

Haden-Guest, Anthony. "Live Art". Vanity Fair. 55 (4 April 1992): 212.

James, David, ed. To Free The Cinema: Jonas Mekas and the New York Underground. Princeton University Press, 1992. p. 151, 243, 275.

McGruder, K xaren. "Retrospective Catalog of the Mary H. Dana Women Artists Series". Journal of the Rutgers University Libraries. LIV (June 1992): 66,67. On "Unexpectedly Research". Illus.

Nead, Lynda. The Female Body. Routledge Press, London. 1992. Illus.

Neiman, Catrina. Women in Film. Dortmund, Germany, 1992. Catalog, Illus.

Schneemann, Carolee. Interview: "Carolee Schneemann: Challenging Distortions by the Dominant Male Imagingation." Interviewed by Maureen Martin. VOX: Magazine of Contemporary Art and Culture. (San Francisco, Spring 1992). 12-14. Illus. front and back covers.

___________. "Four Photos from 'Cycladic Imprints'". Long News in the Short Century. 1 (3), 1992.

___________. "Notes from the Underground:A Feminist Pornographer in Moscow". The Independent. 15:2. Winter 1992: 23-35. Illus.

___________. Venus Vectors. Blast Editions, ed. Jordan Crandall. X Art Foundation. I Plexiglass pages: boxed edition.

____________. "CORE ADORED LOATHED DENIED." In "By and About Women," Tema Celeste Contemporary Art Review. Fall 1992. Text and photos on "Cycladic Imprints" (1991-1992).

____________. Interviewed by Anthony Haden-Guest for book of interviews about the 1960s.

____________. "Unexpectedly Research." Lusitania: A Journal of Reflection and Oceanography 4. Fall 1992. Image/text. pp. 143-145.

____________. "Venus Vectors." Leonardo, Journal of the Arts, Sciences, and Technology. Fall 1992. Illus.

____________. Video Burn. San Francisco: San Francisco Art Institute. 1992. Artist's book, 26 pp. black and white. (Component of the exhibition "Scroll Paintings with Exploded T.V.").


Anonymous [Diedrich Diederichsen]. Why I Got Into Art. Cologne: Jablonk Galerie, Verlag Walther Konig, 1991. Illus.
Baker, Kenneth. "Sliding Art Out of Shadows." San Francisco Chronicle. 7 March 1991. Illus. of Cycladic Imprints.

Bonetti, David. "Sliding Toward New Narrative Forms." San Francisco Examiner. 15 March 1991, C-2. Illus.

Burns, Gerald. The Myth of Accidence, Book IX. Austin, Texas, 1991. Unpublished manuscript.

Cohn, Terri. "Counterattacks, A Grave Silence: From Hitler to Helms." Artweek. 22 (37, 7 November 1991): 8. Illus.

Constantinides, Kathy. "Carolee Schneemann: Invoking Body Politics." Michigan Quarterly Review. Vol. 30, No. 1: Winter. pp. 127-145.

Gottner-Abendroth, Heide. (Die Tanzende Gottin translation by Maureen Krause). The Dancing Goddess. Beacon Press.

Hoffman, Katherine. Explorations: The Visual Arts Since 1945. New York: Harper Collins, 1991. 270-271.

Howell, John, ed. Breakthroughs: Avant-Garde Artists in Europe and America 1950-1990. Wexner Center for the Arts, Ohio State Universi&Mac195;ty/Rizzoli, 1991. 81, 158, 165-166. Illus.

Jones, Alan. "Books in Artists' Lives", "Carte Blanche" column in Arts (February/March 1991): 26.

Joselit, David. "Projected Identities." Art in America. November 1991. Illus.

Kissick, John. Review of "Fluxus Deluxe" at Pittsburgh Center for the Arts. New Art Examiner. January 1992, 41-2.

Klinger, Linda S. "'Where's the Artist?'": Feminist Practice and Poststructural Theories of Authorship." In issue on feminist art criticism, Art Journal 50 (2, Summer 1991): 39-41. Illus.

Lowry, Patricia. "Fluxus exhibition showcases art for the eyes and ears," exhibition review. The Pittsburgh Press. 17 October 1991, B3. Illus.

Mackey, Heather. "Body Language." San Francisco Bay Guardian. 25 (20, 20 February 1991): 19-20. Illus.; cover photo of CS.

Prigmore, Joe and Daniel Plunkett. "Carolee Schneemann." ND (Austin, TX). No. 14. pp.5-10. illus:pgs; 5,6,7,9,10. Press run 1,2000. February 1991

Reveaux, Tony. "Flee&Mac176;ting Phantoms: The Projected Image at SFMOMA." Artweek. 22 (12, 28 March 1991): 20.

_________________, "Mopping Up: Carolee Schneemann at SFAI." Artweek. 22 (37, 7 November 1991). Illus.

Robertson, Richard and Clive, Alain-Martin. Performance Au - In Canada 1970-1990. Editions Interwenken, Toronto. 1991.

Robinson, Lou. "Subvert Story," review of book Out from Under: Texts by Women Performance Artists. ed. by Leonora Champagne. American Book Review, February-March 1991:9.

Ryan, Dinag. Review of exhibition "Nine is a Four-Letter Word" at Key Gallery, Richmond, Virginia. New Art Examiner. December 1991.

Schneemann, Carolee. "Emergency Sauce Scenarios For Unexpected Friends and Lovers" in Food Sex Art: The Starving Artists' Cookbook. Paul and Melissa Eidia. eds. New York: Eidia Books, 1991. 34.

__________________. "IN SEE WORK IN FIND PUT" in M\E\A\N\I\N\G Journal. 1 (Fall 1991).

__________________. Interviewed by Andrea Juno i&Mac178;n RE/SEARCH #13: Angry Women. Andrea Juno and V.Vale, eds. San Francisco: Re/Search Publications, 1991. 66-77. Illus. and back cover.

__________________. "Schneemann-On Erro." In Erro Margflt Lif: Mal og menning by Adalsteinn Ingolfssson. Reykjavik, 1991. Biography of Erro, 193, 204-5; about CS: 187, 192, 196-7, 203-7, 240; illus.: 168, 197, 205.

___________________. "The Obscene Body/Politic." In "Censorship II," College Art Journal. 50 (4, Winter 1991): 28-35. Illus.


______. "A Death in the Art World." Review of Robert Katz: Naked by the Window. New York Times. 10 June 1990.

______. "Films by Carolee Schneemann." Essay in catalogue. New York: Anthology Film Archives. 1990. Catalogue for film festival, 4-6 May, 1990. 16. Illus.

______. The Films of Carolee Schneemann. Astoria, NY:American Museum of the Moving Image.
1990. Illus.: catalogue for exhibitions May-June 1990.

______. 1968 Konkrete Utopien in Kunst und Gese íllschaft. Cologne: Stadtishce Kunsthalle Dusseldorf, 1990. 156, 170. Illus.

______. "Pharmacy: The Chronicle of a Colossal Shift." Los Angeles Times. 28 April 1990.

______. "Shifting Power." Review of Conference of the American Women's Caucus for Art. Women Artist Slide Library Journal. May/June 1990.

______. Ubi Fluxus Ubi Motus 1990-1962. Milan. Fondazione Mudima, 1990. Illus. Catalogue for Fluxus exhibition at Venice Biennale, 1990.

Atkins, Robert. Art Speak: A Guide to Contemporary Idea, Movement and Buzzwords. Abbeville Press, New York. 1990. 76, 87, 121.

Baumgarten, Marjorie. "Blowing Fuses." The Austin Chronicle. 9 March 1990. Review of Fuses. Illus.

Costantinides, Kathy. "Carolee Schneemann: Invoking Politics." Michigan Quarterly Review. Winter 1991: 127-145. Illus.

Conz, Francesco. Essay in Fluxus! Brisbane: Institute of Modern Art, 1990. p. 4-7, 25.

Conz, Francesco. Fluxus S.P.Q.R.: 6factotumbook 44. Catalogue for exhibition at Galleria Fontanella Borghese, Rome. 1990. p. 14-15.

Frank, Peter. "Sculpture at the 1990 Venice Biennale," Sculpture (September/October 1990): 37-39.

Friedman, Ken. Essay in Fluxus! Brisbane: Institute of Modern Art, 1990.

Gelburd, G. and G. Paoli. The Transparent Thread: Asian Philosophy in Recent American Art. Annandale-on-Hudson: Bard college and Gofstra University (distributed by U. of Pennsylvania Press). 1990. 25, 26, 104. Illus.; catalogue for exhibition.

Gordon, Jaimy. She Drove Without Stopping. McPherson & Co., Kingston, NY. 1993.

James, David. Films Against the War in Vietnam. New York: Whitney Museum of Modern Art. 1990. Catalogue for exhibition, November 1990. Illus.

Katz, Robert. Naked by the Window. New York: Atlantic Monthly Press, 1990. pp. 73- 74, 97, 126-28, 140, 164, 167, 197, 207-208, 215, 226, 227, 267.

Kent, Sarah and J. Morreau. Women's Images of Men. London: Pandora Press, 1990. 179-192. Illus. (1st edition, 1984).

Klonaris, Maria and Thomaduki, Katerina, eds. Technologies et Imaginaire-Art Cinema/Art Video. Paris: Centre National de la Cinematographie, F.I.A.C.R.E., 1990. 17, 142, index.

Kultermann, Udo. Contemporary Masterworks: Art, Architecture, Photography, Design. St. James Press, 1990. (Revised from 1988). Illus.

Lippard, Lucy. A Different War-Vietnam in Art. Bellingham, Washington: Whatcom Museum of History and Art. 1990. 25. Illus.

Medalla, David. "Medalla in Manhattan." The Filipino Express. (New York), 23-29 July 1990.

Meisel, Perry. "How Postmodern Is It". In -Review of Books, A rt in America. December 1990. pp. 83.

Moore, Sylvia, and C. Navaretta. Artists and Their Cats. Mid-March Arts Press, New York. 1990. 44-46. Illus.

Peterson, William. "Interview with Carolee Schneemann." The Act. Vol. 2, No. 1. pp. 54-57.

Schneemann, Carolee."The Body in Politics." Interviewed by Barbara Smith. Art Week (Los Angeles). October 1990. Illus. (cover photo of CS).

______________. "Shadow Capture." In Seeing in the Dark, Ian Breakwell and Paul Hammond, eds. Serpentstail, London. 1990. pp. 9-10.

Stiles, Kristine. "Performance and Its Objects." Arts Magazine. November 1990, 41-42. Illus.

Straayer, Chris. "The She-man: Postmodern Bisexed Performance." Screen. (Oxford University Press). Fall 1990. Illus. ("Interior Scroll").


_____. "Strogokontroli sane predstave." Movement 14, Casopis za vizuelne medije (Beograd). April/June 1989. pp. 30. Illus.

Berger, Maurice. Labyrinths: Robert Morris, Minimalism, and the 1960s. New York: Harper & Row, 1989. Illus.; cover photo of CS in "Site".

Chin, Daryl."Walking on Thin Ice: the Films of Yoko Ono". The Independent. April 1989. pp. 21, 23.

David, James E. Allegories of Cinema: American Film in the Sixties. Princeton University Press, Princeton. 1989. pp. 317-320. Illus.

Dreyfus, Charles. "Carolee Schneemann" in Happenings and Fluxus. Paris: Galerie 1900-2000. 1989. pp. 12, 166-167. Illus.

Edelson, Mary Beth. "An open letter to Thomas McEvilley." New Art Examiner. pg. 34: April.

Elder, R. Bruce. The Body in Film. Toronto: Art Gallery of Ontario, 1989. 12, 13, 34-42. Ca ^talogue for "The Body in Film" series, 17 October-16 November 1989. Illus.

Export, Valie. "Aspects of Feminist Actionism". New German Critique. 47: Spring/ Summer 1989. pp. 69-92.

Fuchs, Elinor. "Staging the Obscene Body." The Tulane Drama Review. 33 (1, Spring 1989): 34. Illus.

Gadon, Elinor. The Once and Future Goddess. New York: Harper & Row, 1989. 292-8. Illus.

Kulterman, Udo. "Carolee Schneemann". Contemporary Artists. ed. Colin Naylor. 3rd Edition. St. James, Chicago/ London.

Leonard, George J. Review of Sayre: The Object of Performance. Los Angeles Times Book Review, 16 July 1989: 3.

Lucie-Smith, Edward. Art Now. Wellfleet, New York. 1989. (Originally published by Arnoldo Mondadori Editore. Milan. 1977). pp. 402. Illus.

Moore, Peter. Photographs. Tokyo: Gallery 360, 1989. Illus. of CS and James Tenney in "Noise Bodies".

Peterson, Willi ãam. "Of Cats, Dreams and Interior Knowledge: An Interview with Carolee Schneemann." Performance (London). No. 59, Winter. pp. 11-23.

Rosen, Randy. Making Their Mark: Women Artists Move into the Mainstream. Abbeville Press.

Sanford, Christy Sh=effield. "Interview: Carolee Schneemann." Red Bass. No. 14. pp. 16-23.

Sayre, Henry M. The Object of Performance: The American Avant-Garde Since 1970. University of Chicago Press, Chicago. 1989. pp. 145, 169-173. Illus.

Schneemann, Carolee. "Cat Scan". Inter Editeur (Quebec). 1989. pp. 79.

_______________. ". . . Cat Torture In The Liquid Gate". International Experimental Film Congress. Frances Hill, ed. Toronto: Art Gallery of Ontario, 1989. 38, 46-47. Catalogue for Congress, 28 May-4 June, 1989.

_______________. "Censorship and the Moscow Film Festival". Interviewed by Aviva Rahmani and Barbara Zucker. Enclitic (USC) 19: (1, Summer 1989). pp. 79-8&Mac173;7, 95. Illus.

_______________. Interviewed by Christy Sheffield Sanford. Red Bass: Journal of Politics and Art (Baton Rouge) 14 (1989): pp. 16-23. Illus.

________________. Interviewed by William Peterson. Act: Journal of Performance Art (NYC), 1989.

________________. Interviewed by William Peterson. Performance (London), 1989. Illus., cover. Illus.

________________. "A Conversation on Censorship with Carolee Schneemann" Interviewed by Aviva Rahmani. M/E/A/N/I/N/G 6 (Nov. 1989): pp. 3-7.

_________________. "Selected Text and Drawings from the Performance Work Dirty Pictures" Heresies. pp. 23, 1989,54-55. Illus.

Spector, Buzz. "A Profusion of Substance". Artforum. Oct. 1989. 120-128. Illus.

Spector, Nancy. "Double Fear". Parkett. No. 2: Dec. 1989. p. 130.


____. "Carolee Schneemann" in High Performance #44 11(4, 1988): 37. On "Cat Scan".

____. "Carolee Schneemann - Up to and Including Her Limits." High Performance #41/42 11(1&2, 1988) pp. 66-67.

Berger, Maurice. "Carolee Schneemann: Snows". Representing Vietnam 1965-1973, The Anti-war Movement in America. New York: Hunter College, 1988. Catalogue for exhibition at the Bertha and Karl Leubsdorf Art Gallery, 9 February-25 March 1988.

Goldberg, Roselee. Performance Art: from Futurism to the Present. Thames & Hudson, London. (1979) 1988. pp. 138, 141, 142. Illus.

James, David. "Carolee Schneemann." Cinematograph: A Journal of Film and Media Criticism. (Foundation for Art Cinema) 3 (1988). pp. 36-38. Illus. On "Fuses".

Jowitt, Deborah. Time and the Dancing Image. University of California Press, Berkeley. 1988. pp. 310, 327, 331. Illus.

Labelle-Rojoux, Arnaud. L'Acte Pour L'Art. Editeurs Evident, Paris.1988. pp. 103, 108, 112-116, 172, 174, 194, 249. Illus.

Lebel, Jean-Jacques. Des Oeuvres Exposees. Paris: Galerie 1900-2000, 1988. 91-92. Catalogue for an exhibition June-July 1988.

MacDonald, Scott. A Criti Õcal Cinema. University of California Press, Berkeley. 1988. Illus., interview.

McEvilley, Thomas. "Redirecting the Gaze" in Making Their Mark: Women Artists Move into the Mainstream. 1970-85. Abbeville Press, New York. 1988. Illus.

Morgan, Robert. "Performance and Spectacle in the Post-industrial Age". Rampike (Toronto) Special Issue.

Sanborn, Keith. "Modern, All Too Modern". Cinematograph: A Journal of Film and Media Criticism 3 (1988): 108. On the exclusion of women film-makers from P. Adams Sitney's Visionary Film. Illus.

Schneemann, Carolee. "Cat Scan (New Nightmares/Ancient History)". Caprice Magazine (Ancient Mariner's Press), August 1988. Illus.


Kultermann, Udo. Die Performance-Art Carolee Schneemann." Idea: Jahrbuch der Hamburger Kunsthalle. Vol. 6. pp. 141-151.

Kultermann, Udo. "L'Univers de Carolee Schneemann". Vie des Arts (Montreal). June. pp. 56, 79.

Mifflin, Margot. "The Sleep of Reason: Artists and Their Dreams". High Performance "#38 10 (2, 1987): 50, 51. Illus. of Fresh Blood-A Dream Morphology.

Morgan, Robert C. "Tales from the Dark Side: Dark Rooms at Artists Space". AfterImage 15 (1, Summer 1987). Illus.

Nahas, Dominique. "Venus Vectors: The Everson Version". In Sacred Spaces. Syracuse: Everson Museum of Art, 1987. 45. Catalogue for exhibition, January-March 1987. Illus.

Schneemann, Carolee. "Ice Music". White Walls #16. Fluxus (Ken Friedman, ed.; Chicago; Spring 1987) pp. 99-101. Illus.

_______________. Letter to the Editor of Artforum, Oct. 1983 in Visibly Female: Feminism and Art Today, Hilary Robinson, ed. In the 'Women on Art Series', Frances Borzello, gen. ed. Camden Press Ltd., London. 1987. pp. 272-273.

Selz, Peter. "Alternative Aesthetics and the Quest for Spiritual Quintessence". Arts, October 1987. Illus.

Solway Gallery. On Prepared Box for John Cage. Cincinnati: Solway Gallery, 1987. 14. Catalogue for exhibition, April 1987. Illus.

Sukenick, Ron. Down and In: Life i&Mac223;n the Underground. New York: Beech Tree Books, William Morrow Co., Inc., 1986. pp. 32, 56, 57, 58, 193, 200, 202, 205, 211, 222, 233. Interviews.

Warr, Watson, Widwin. Live Art Now. Arts Council of Great Britain, 1987. Illus of Meat Joy, pp. 8. Catalogue.

Zwehl-Burke, Pamela, and Leslie Fedorchyk. Women's Autobiographical Artists Book. Milwaukee: University of Wisconsin Fine Arts Galleries, 1987. Illus.


Almhofer, Edith. "Der Korper als Medium kreativer Manifestation Carolee Schneemann." Performance Art: Die Kunst Zu Leben. Vienna-Cologne-Graz: Kulturstudien Bei Bohlau, 1986. pp. 50-70. Illus.

Decker, Elisa. The Male Nude: Women Regard Men. New York: Hudson Center Galleries, 1986. Catalogue for exhibition 6 February-1 March 1986. Illus.

Lovelace, Carey. "The Gender & Case of Carolee Schneemann". Millenium Film Journal. Summer/Fall 1986. Illus.

McCoy, Ann. "Het Bloed van de Dichter". Museum Journal 1 (Amsterdam, 1986): 21-32.

Myers, George Jr. Alphabets Sublime: Con ptemporary Artists on Collage and Visual Literature. Washington: Paycock Press, 1986. 140-146. Chapter on CS: "Sacred and Contentious". Illus.

Schneemann, Carolee. "Das A und O-Hidden and Found in an Attic," excerpt from Fresh Blood. In Top Ten Review. Bremen: H & H Schierbrok Edition, 1986. 42. Illus.

_______________. "Death Has No Fat" and "Infinity Kisses" in Hommage a Joseph Beuys. Klaus Staeck, ed. Kassel, 1986. Illus.


___. "Carolee Schneemann". Art Forum. 23:8 April 1985. pp. 92.

Alternative Museum. Disinformation-The Manufacture of Consent. New York: Alternative Museum, 1985. pp. 47, 61-2. Catalogue, illus.

Export, V., Eiblmayr, ed. Kunst Mit Eigen-Sinn. Vienna: Museum Moderner Kunst, 1985. Catalogue for exhibition: 'Internationale Ausstellung Aktueller Kunst von Frauen'. 29 March-12 May 1985.

Export, V., Eiblmayr, Prischl-Maier. Kunst Mit Eigen-Sinn 9-Texte und Dokumentation. Vienna-Munich: LV Locker Verlag, 1985. 207, 232, 293. Illus.

Haller, Robert. "Carolee Schneemann: Early Work/Recent Work". Field of Vision 13 (Spring 1985): 27. Review.

Kohler, Michael and Gisela Barche. Das Aktfoto. Munich: Munchner Stadtmuseum, 1985. 138, 157, 368. Illus.

MacDonald, Scott. "Carolee Schneemann's ABC: The Men Cooperate". AfterImage 12 (9; April 1985) pp. 12-15. Illus.

McEvilley, Thomas. "Carolee Schneemann". Artforum, April 1985, 91. Illus.

Naropa Institute. Toward A Visual Culture-Related Issues in Film. Boulder: Naropa Institute and University of Colorado at Boulder, November 1985. Conference catalogue.

Schneemann, Carolee. "On Walter Gutman". In "Letters," Field of Vision 13 (1985): 31.

___________. Seven recipes. In CookPot, Barbara Moore, ed. New York: Relux T Editions, 1985.

Showalter. (ed.). "Writing The Body: Toward An Understanding of L'Ecriture Feminine" in New Feminist Criticism. Pantheon. 1985.


____. Comportement Environment Performance. Cinq Ans D'Art-Performance A Lyon. Lyons (1979/83) pp. 127-128. Illus.

____. Contemporary Drawing as Idea. Sarah Lawrence Gallery, 1984, 16-17. Illus. Catalogue for an exhibition, February-March 1984.

Baigell, Matthew. A Concise History of American Painting and Sculpture. Harper & Row.

Glueck, Grace. "Art: Exploring 6 Years of Pop & Minimalism". Review of Blam! The Explosion of Pop, Minimalism and Performance 1958-1964 (group exhibition at the Whitney Museum, 1984). New York Times, 28 Sept. 1984.

________. Review of Salvaged: Altered Everyday Objects (group exhibition, Institute for Art and Urban Resources, NYC, 1984). New York Times, 24 Februa Çry 1984.

Haller, Robert. "Rolling in the Maelstrom: A Conversation Between Carolee Schneemann & R. Haller". Idiolects 14 (Spring 1984).

Haskell, Barbara. Blam! The Explosion of Pop, Minimalism and Performance 1958-1964. New York: Whitney Museum of Art, 1984. Catalogue for exhibition. Illus.

Institute for Art & Urban Resources. Salvaged: Altered Everyday Objects. New York: Institute for Art & Urban Resources, 1984. Catalogue for exhibition January-March 1984. Illus.

Katz, Leandro. "Film As Installation". The Clocktower. April-May 1984. p. 23.

Kent, Sarah and J. Morreau.Women's Images of Men. London: Writers & Readers, 1984. pp. 179-192. Illus.

Lippard, Lucy. Overlay: Contemporary Art and the Art of Prehistory. Pantheon Books, New York. 1984. pp. 66-67. Illus.

Orloff, Kossia. "Women In Performance Art: The Alternate Persona" Heresies #17. Acting Up! 5 (1, 1984) pp. 36-37. Illus.

Schneemann, Carolee. Text, drawings, photos, letters from Carl Ruggles. In The Music of James Tenney. (Peter Garland, ed.) Soundings Press, Sante Fe, 1984. pp. 2, 15-29, 36, 39, 40, 114. Multiple authors, illus.

The Sculpture Center. Sound/Art. New York: The Sculpture Center, 1984. Illus.


Ballerini, Julia. "Carolee Schneemann at Max Hutchinson". Art in America. April 1983. Illus.

Battcock, Gregory and Robert Nickas, eds. The Art of Performance: A Critical Anthology. E.P. Dutton, NY.

Cameron, Daniel. "Object vs. Persona: The Early Work of Carolee Schneemann". Arts Magazine. May. pp. 122-125. Illus.

Greenfield, Amy, ed. Film Dance. Public Theatre, NY, 1983. Catalogue for exhibition, November-December 1983.

Lippard, Lucy. Overlay: Contemporary Art and the Art of Prehistory. Pantheon.

Lovelace, Carey. "Schneemann Inside Out". ArtCom 19 . pp. 16-19. Illus.

McEvilley, Thomas. "Art In The D oark". Artforum. Summer. pp. 62-64. Illus.

Morgan, Robert. "Reconstructing with Shards". American Ceramics 2 / 1. Illus.

Roth, Moira and Mary Jane Jacobs, ed. The Amazing Decade: Women & Performance Art 1970-1980. Astro Artz, LA, 1982. Illus.

Schneemann, Carolee. "Abstract Painting 1960-69". Interviewed by William Hellermann. P.S. 1 Catalog. P.S. 1, NY, 1983. Catalogue for exhibition, January 1983. Illus.

_______________. "Carolee Schneemann to Robert Haller". Idiolects 13 (1983).

________________. "Dirty Pictures". Benzine 1 (1983). Score, drawings, photos.

________________. Early & Recent Work. McPherson/Documentext, Kingston, NY 1983. 52 pp, illus., essays by Julia Ballerini and Ted Castle.

________________. "Re: Art In The Dark". In "Letters" . Artforum, Aug. p. 2.

Sayre, Henry. Review of More Than Meat Joy. The Minnesota Review 20 (Spring 1983).

Silver /thorne, Jeanne. "Carolee Schneemann". Artforum. Dec. p. 73. Illus.

________________. "Carolee Schneemann-Cluny Washing". The Print Collectors Newsletter 14/ 5, Nov./Dec.

________________. "Letter to the Editor". Artforum International. October 1983. p. 2.

________________. Review of Early & Recent Work. Umbrella. Nov. pp. 112-114.

Sitney, P. Adams. "Interview With Stan Brakhage". Film Culture Reader. Praeger Publishers, New York. pp.201-229.


Anderson, Jack. "How The Judson Theater Changed American Dance". New York Times. 31 Jan. 1982.

Frederick, Charles. "Fresh Blood-A Dream Morphology". LIVE: Magazine of Performance 6/7, pp. 58-59. Illus.

Glueck, Grace. "Carolee Schneemann-Early Work 1960-70". New York Times 10 Sept.

Gottner-Abendroth, Heide. Die Tanzende Gottin: Prinzipieneiner Matriarc halen Asthetik. (English translation released 1991). Frauenoffensive, Germany.

Hamilton, Richard. Polaroid Portraits. London: hansjorg mayer, 1982. Illus.

Howell, John. "Judson, The Attitude". Alive 1 /1, July/Aug. pp. 32-33.

Lebel, Jean-Jacques. Happenings, Interventions et Actions Diverses 1962-1982. Cahiers Loques, Paris, 1982. Illus.

MacDonald, Scott. "Plumb Line". Millenium Film Journal 10/11. pp.11-14. Illus.

Schneemann, Carolee. "Americana I Ching Apple Pie". High Performance l4 /4, Winter. pp. 74. Illus.

_________________. "Black Mythology in White Performance". Interviewed by Kossia Orloff. LIVE: Magazine of Performance. Sept. 1982.

________________. "Interview with Carolee Schneemann-Sex, Performance and the 80's". Interviewed by Linda Montano. The Flue 2 /3. Illus.
________________. "Kitch's Last Meal". Cinema News (Super 8 Edition) 81 /2-6. pp. 55-58. Illus.

Spetnak, Charlene. The Politics of Women's Spirituality: Essays on the Rise of Spiritual Power Within the Feminist Movement. Anchor, Doubleday.

Tillman, Lynn. "Words Without Pictures". Bomb 4. p. 52. Illus.

Weintraub, Linda. The Rebounding Surface-A Study of Reflections. Annandale-on-Hudson: Bard College, Avery Center for the Arts, 1982. Catalogue for exhibition.


Bojko, Szymon. "Amerykanski Performance". Projeckt (Warsaw) 141 (Feb. 1981). pp. 56-61. Illus.

Buckberrough, Sherry. "Carolee Schneemann." Arts Magazine. October. p. 5.

Luscher, Ingeborg. "Zaubereien". Der Alltag (Zurich) 3 (Summer 1981). Illus.

MacDonald, Scott. "Film & Performance: An Interview with Carolee Schneemann". Millenium Film Jo Uurnal 7/8/9 (1980-1981). pp. 95-114. Illus.

____________. "Carolee Schneemann's Autobiographical Trilogy". Sheldon Film Theater program Winter/ Spring 1981. University of Nebraska, Lincoln, NE.

Martin, Henry. "Carolee Schneemann-More Than Meat Joy". Flash Art (Milan) No. 101. January/ February. p. 58. Illus

Perron, Wendy and Daniel Cameron, eds. Judson Dance Theater: 1962-1966. Bennington, Vermont: Bennington College, 1981. pp. 64-67. Illus.

Schneemann, Carolee. "Autobiographical Trilogy". Reprinted in Sheldon Film Theater (1981). pp. 80-85. Illus.

________________. "Dirty Pictures". High Performance 4 /2, Summer 1981. p. 72. Illus.

________________. "Fresh Blood-A Dream Morphology". Dreamworks Journal 2/1, Fall 1981. pp. 67-75. Illus.

________________. "Fresh Blood-A Dream Morphology". New Wilderness Letter 10 / Sept. pp. 42-56. Illu ms.

________________. "From A Letter". Idiolects 11 /Summer. p.18.

________________. "From Fresh Blood-A Dream Morphology". Idiolects 9-10 /Winter 1980-81. pp. 27-30.

Selz, Peter. Art In Our Time. Abrams/Harcourt Brace Jovanovich, NY, 1981. p. 550. Illus.


Alloway, Lawrence. "Carolee Schneemann: The Body as Object and Instrument". Art in America, March 1980. p. 19-21. Illus.

Belford, Marilyn & Jerry Herman. "Event Art" in Time and Space Concepts in Art. Pleiades Gallery, NY. pp. 27-55. Transcript of a symposium with C.S., Vito Acconci, Poppy Johnson and others.

Burnside, Madeline. "Carolee Schneemann." Arts Magazine. February. p. 24. Illus.

Castle, Ted. "Carolee Schneemann: The Woman Who Uses Her Body For Her Art." Artforum. Nov. 1980. pp. 64-70. Illus.

Live Performances - Behavior Workshop. (Arnhem 1978). Grafisch Centrum, Arhem, 1980.

MacDonald, Scott {. "An Interview with Carolee Schneemann." Afterimage 7 (8, March 1980). Illus. (?).

____________. "Carolee Schneemann's Autobiographical Trilogy". Film Quarterly 34:1. Fall 1980. pp. 27-32.

Robertson, Clive. "More Than Meat Joy". Fuse (Toronto), January 1980. p. 115.

Schneemann, Carolee. "Women Artists on Women in Art". Portfolio: The Magazine of the Visual Arts. February/ March 1980. p. 72. Illus.

Schneemann, Marranca, Lamont,.... "Women in the Theatre Conference - May 14, 1979". Centerpoint: A Journal of Interdisciplinary Studies. Winter/ Spring 1980.

Springer, Jane. "Developing Feminist Resources: The Work of Carolee Schneemann and Martha Rosler". Fuse (Toronto), Jan. 1980. p.113-116. Illus.